In the context of a crisis in which humanity itself is the threat to survival, the “good guys, bad guys” approach to things can seem at once too complicated and too simple. (It is revealing that Bird Box, whose plot merged environmental catastrophe with the dangers of horror-movie-esque monsters, functioned more effectively as a meme than it did as a film.) And so there is another way of exploring what Kermode called the “End-feeling”: the Style section way. The way that cares less about archetypes and adventure, good guys and bad, and more about what the End-feeling actually feels like for those who are living it. This mode internalizes the anxieties of apocalypse not as tragedy, but as comedy.When the end isn't so bad after all...
Friday, February 1, 2019
What happens after the end?